I find myself on grass. Sunlight is shattered into thatched patterns across my face, and I lay back against the bark to think. Who would think all things considered would bring me to this place? Life tends to feel like a sort of chemistry; What will adding more and different ingredients, day by day, bring? That, of course, is entirely unknown, for it seems that the same combination can produce quite offsetting results. In the same terms, varied summations may bring about equal outcomes. Like two paths converging, within an endless wood, they may just cross, or continue on together for a bit, a while, or even forever…
Rising, my feet carry me down mild hills. The sun now shines warm upon my face, but soon rain falls soft upon the fields. Over the next hill, a charming estate rises into view, nestled low in the proceeding valley. A dark warmth is in the brown of the walls, and mighty trees thwart gravity, standing tall about the surround yard. Fine, mathematical symmetry designs windows upon the facade of the house. It’s simple grandeur almost impairs my ability to admire the gardens and fences residing left and right to the house, respectively. Cobblestones greet my bare feet, and I walk the meandering path to the door. Strong and firm, yet a symbol of something that brings opportunity and possibilities. Still, it has no knob. I’m puzzled, but then I see. Above the door, an inscription: “Libera.” I speak it. It opens.
…As I enter the room, the walls and space are filled with beautiful art and elegant furniture. The foyer opens to a strong, impressive staircase; a deep mahogany pathway. As I ascend, there are no creaks, no hint of weakness, wear, or tear, and my fingers glide gently along the smooth, contoured railing. As I reach the top floor, the first room is presented, and is directly in front of me. The wood of the door matches the warmth of the stairway’s shade, and the golden knob gleams in the corner of my eye. A soft light emanates from under the door, and with no possibility of retreat or return, I am pulled toward it. I enter the doorway.
A blinding white light shrouds all in my world. The sounds of an angelic choir are heard, singing, “What dreams may come…both dark and deep…,” but I am suddenly full of anxiety, fear, and uncertainly as their chords reach a head-splitting, complex dissonance. The sound crescendos to the point of no return, and my hands covering my ears can do nothing to shield myself from it. Suddenly, the sound stops, the light is gone.
I look around and see that the house is gone. I stand on a platform of dark concrete, held aloft by one steel pillar directly underneath, and a concrete stairway leading up. The concrete is not sturdy like the house, but cracked and weathered. The frame of the house seems to still remain, yet only slightly, broken down to not two feet above the ground. Embers and flames rise from the remains, and I descend back down to the “foyer,” a somewhat imaginary place, taking each step gingerly down the broken pathway. The stones are still warm from the flames on my bare feet, and as I look down to see, I notice that my clothes are tattered and ripped, and I am bruised and bleeding… “What’s happened to me?” I ask aloud…
…but with no audible reply, I make my way through the wreckage until I have left the vicinity, untill I have left the yard, indeed until I have returned atop those heights where this story began. The beautiful tree I had leaned against, like everything else, has gone through a radical transformation. It’s warmth and tranquility are now cold and unstable, for standing in it’s place is a steel door. It stands by itself, as if to open to the only more field, but as I pull it open with a good measure of strength to do so, a dark stairway leads down… down deep into the earth. Torches light the way, but the stairway turns to the left, and I can not see beyond the bend. I step back from the door and take a minute to look around. I want to give it all one more chance: this once beautiful tree, this once vibrant field, this once sturdy house. But in flames and ruin, the grey skies looming overhead seem to make it abundantly clear that nothing is left to cultivate. Pressing forward through the steel door, making my way down, I know that this iss really my only choice.
As I round the bend and lose sight of the door, I turn my attention in front of me and come to an open door way. Above it, “λαβύρινθος,” or “labyrinthos.” I have arrived at the Labyrinth.
Turning turns and making my way, the damp underground is a winding mess of logic. Where my mind would expect a left turn, I find a right one. Where I would predict a straight hallway, I arrive at a hilly, up-and-down oscillation. The ground is a consistent surface of packed dirt, somewhat damp, deeply brown. As if thousands of men had walked here before me, it appears to be trampled flat. The walls bound the mind, in solid rectangular bricks, ceiling to floor, and the ceiling was a mirror image of its counterpart beneath my feet. My walking seems to go on for days, yet I do not feel tired or hungry, nor do my bruises and scars and tattered clothes seem to bother me in the least. I am walking. I am making progress. And nothing can manifest itself in my psyche to distract me. Finally, something is to be happening. The walls, still full of stone-cold tenacity, begin to angle gently inward. As my feet plod forward, the passageway thins until approaching only a shoulder-width’s breadth. At the point to which I thought I would have to turn sideways, the hallway breaks open into an expanse, pitch-black. I step cautiously out of the torch-lit hallway into the void-like darkness, and stop upon what seems to be a man-hole. Though my sight is dim, and it is hard to make out, it seems to be the logical place to stop walking.
The room is flooded with light.
Complete candidus. My chapped hands fly to my blinded eyes as I sink like a stone to the cold, tiled floor. Tears gush to sooth my scalded sensors and my slowly contracting pupils as I methodically rock back and forth. As the shock subsides, I uncover my eyes and look around.
Another hallway. The whitewashed walls scream for color and the ceiling is abuzz with the hum of long fluorescent bulbs. I push myself to my feet using the wall as leverage. My hands leave smudges on the pristine white and I feel guilty to rue such perfection. I take the bottom of my torn shirt and go to wipe away the dirt when all of a sudden, the wall consumes the stain. I jump back in seeing the stark colorlessness again and quickly start down the hallway.
I begin to run. My heart thuds like a frightened animal in my ribcage and I begin feel a burn in my muscles. The burn becomes smoke, the smoke becomes spark, the spark beomes flame and the flame becomes fire. The fire gets hotter and hotter to the point where I can almost see the flames, and I do.
The world is in slow motion as I sprint faster and faster down the corridor, and I look down to my legs, for the fire has become unbearable. There is no way to describe it. My legs are there, both of them, as solid and believable as ever…yet I can see the flames raging within them. My skin is translucent, and looking down I can see the bones with powerful flames surrounding them, as if fire has replaced my muscles. My whole body begins to burn in this way, as my internal fury rises through my hips, torso, and arms. Soon, nothing is left but my head, but that doesn’t last long.
I see a white-washed door at the end of the hall, approaching at break-neck speed at the rate I’m running. I slow down enough to rip open the door and continue through. Why do I rush? I feel as if I’m being chased…
But dead in my tracks, I stop and look around. Now removed from the perpetual hallways of the deafening white, this room is small, octagonal, and dirty. Reminiscent of a cellar or attic, the wooden floor is cold, and properly spaced support beams are visible from wall to ceiling. In front of me: a mirror; I can not believe my eyes…
The massive mirror, though covered in a cloudy haze of dirt and dust, tells no lies. It is not prejudiced, racist, or sexist. It has no concience. It is neither good or evil. It leaves no omissions. It elaborates on nothing. It is shadow.
The outline of my other half waves at me from the other side. Like a fogged up window in winter, I see no distiction of them. A blur, like putting on grandpa’s spectacles or adjusting the knobs of a microscope. I wave back. Their body language reads “impatient.” Hands on hips, head tilted to one side as if scrutinizing me. They tap their foot. Waiting.
‘What do you want of me?’ I ask without making a sound. In this place, speech only hinders. Words lose their true meaning and are turned in on themselves if abused. They become corrupted. Nothing is what it seems.
I reach out to the glass.